The dark side of the moon
The metal opera
Opiate - Tool
¡Esto es una obra maestra!
This song is awesome
Opeth is a Swedish progressive metal band from Stockholm, formed in 1990. Though the group has been through several personnel changes, singer, guitarist, and songwriter Mikael Åkerfeldt has remained Opeth’s driving force throughout the years. Opeth has consistently incorporated progressive, folk, blues, classical and jazz influences into their usually lengthy compositions, as well as strong influences from black metal and death metal, especially in their early works. Many songs include acoustic guitar passages and strong dynamic shifts, as well as both death growls and clean vocals. Opeth rarely made live appearances supporting their first four albums; but since conducting their first world tour after the 2001 release of Blackwater Park, they have led several major world tours.
Opeth has released ten studio albums, three live DVDs, three live albums (two that are in conjunction with DVDs), and two boxsets. The band released its debut album Orchid in 1995. Although their eighth studio album, Ghost Reveries, was quite popular in the United States, Opeth did not experience major American commercial success until the 2008 release of their ninth studio album, Watershed, which peaked at number twenty-three on the Billboard 200, and topped the Finnish albums chart in its first week of release. Opeth has sold over 1.5 million albums and DVDs worldwide, including 300,000 collective Soundscans of their albums Blackwater Park, Damnation and Deliverance in the United States.
MOAR on: wikipedia.org
Classical music is the art music produced in, or rooted in, the traditions of Western liturgical and secular music, encompassing a broad period from roughly the 11th century to present times. The central norms of this tradition became codified between 1550 and 1900, which is known as the common practice period.
European music is largely distinguished from many other non-European and popular musical forms by its system of staff notation, in use since about the 16th century. Western staff notation is used by composers to prescribe to the performer the pitch, speed, meter, individual rhythms and exact execution of a piece of music. This leaves less room for practices such as improvisation and ad libitum ornamentation, which are frequently heard in non-European art music and popular music.
The term “classical music” did not appear until the early 19th century, in an attempt to “canonize” the period from Johann Sebastian Bach to Beethoven as a golden age. The earliest reference to “classical music” recorded by the Oxford English Dictionary is from about 1836.
Dubstep (/ˈdʌbstɛp/) is a genre of electronic dance music that originated in South London, England. It emerged in the late 1990s as a development within a lineage of related styles such as 2-step garage, broken beat, drum and bass (jungle), and dub reggae. In the UK the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. The music generally features syncopated drum and percussion patterns with bass lines that contain prominent sub bass frequencies.
The earliest dubstep releases date back to 1998, and were usually featured as B-sides of 2-step garage single releases. These tracks were darker, more experimental remixes with less emphasis on vocals, and attempted to incorporate elements of breakbeat and drum and bass into 2-step. In 2001, this and other strains of dark garage music began to be showcased and promoted at London’s night club Plastic People, at the “Forward” night (sometimes stylised as FWD»), which went on to be considerably influential to the development of dubstep. The term “dubstep” in reference to a genre of music began to be used by around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime.
A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. In 2004, the last year of his show, his listeners voted Distance, Digital Mystikz, and Plastician in their top 50 for the year. Dubstep started to spread beyond small local scenes in late 2005 and early 2006; many websites devoted to the genre appeared on the internet and aided the growth of the scene, such as dubstepforum, the download site Barefiles and blogs such as gutterbreakz. Simultaneously, the genre was receiving extensive coverage in music magazines such as The Wire and online publications such as Pitchfork Media, with a regular feature entitled The Month In: Grime/Dubstep. Interest in dubstep grew significantly after BBC Radio 1 DJ Mary Anne Hobbs started championing the genre, beginning with a show devoted to it (entitled “Dubstep Warz”) in January 2006.
Towards the end of the decade the genre started to become more commercially successful in the UK, with more singles and remixes entering the music charts. Music journalists and critics also noticed a dubstep influence in several pop artists’ work. Around this time, producers also began to fuse elements of the original dubstep sound with other influences, creating fusion genres including future garage, the slower and more experimental post-dubstep, and the harsher electro house and heavy metal influenced brostep, the latter of which greatly contributed to dubstep’s rising mainstream popularity in the United States.